|Expanzin - Artificial Memory Trace|
artificial memory trace presents: e x p a n z i n (up_date aug. 2005) EXPANZIN was an attempt to create sort-of-abstract "newsletter' of AMT. However, the purpose isn't translation or description of events, but rather an attempt for creation of timelike_meta_reality coalescing within streams of unconscious in reflecting within the re_ality as phenomena of the unspeakable___therefore - expanzin is: 1] electroacoustic river of metamorphoses sprinkled with audio_particles of recorded re_alities...
Keywords: electroacoustic; experimental; musique-concrete; sound-art
|Freephonos 2 - Artificial Memory Trace|
artificial memory trace presents: freephonos II. (collection of selected free improvisation sessions) 1 jaro + miro: thunderag 34:13 miroslav konecny_sitar skwi_percussions & sounds rec. liege, belgium during thunderstorm - 18.6.2000 2 tel_tel 17:03 skwi_playing with environment, rec. ivy cottage, Ireland - march 2003 3 frogx: fermentationz 19:28 tony di napoli, claire blach, pascale truc, alexander rouge, skwi, pierre marly_rec...
Keywords: free improvisation
|Spectral Territories Pt2 - Artificial Memory Trace|
Artificial Memory Trace: SPECTRAL TERRITORIES PT.2 Sound-installation by Slavek Kwi (AMT) performed in exhibition « Marks of Ommission » 13/9 â 5/10 2001 in Arthouse, Dublin - Ireland. Based on field-recordings from African natural environments (Kenya and Tanzania) in combination with urban recordings from building of Arthouse in Dublin, Ireland. 1 STpt2 FRONT (CD-version trk1) 2 STpt2 (rec_ambi, trk2 on CD) = tracks for stereo-version on CD in DVD case (see included design) Separated tracks ...
Keywords: musique concrete; sound art; sound installation
|Diluvio - Artificial Memory Trace|
Artificial Memory Trace presents an extract from soundtrack for film of Patricio Lagos DILUVIO created 1996 by Slavek Kwi in Studio C&C, Antwerp, Belgium. Special thanks to Ward Weis for his kind support! (note: 48kHz wav.) Image - collage: Kwi, 1990
Keywords: soundtrack; musique concrete
|Freephonos 1 - Artificial Memory Trace|
Artificial Memory Trace presents: FreePhonos I. (collection of selected free improvisation sessions) 01.Ensyrony 1996, 23:21 (Tony Di Napoli and Kwi) 02. Mur Mur 1996, 12:48 (Av Ursin and Kwi) 03. Tower 1997, 4:01/9:01/1:22 (Ward Weis and Kwi) 04.-05. Mirrors 1996, 4:54/8:03 (Pierre Marly and Kwi) 06. Naw 1993, 8:23 (Peter Jacquemyn and Kwi) 07. Commentary 1996, 1:25 (Kwi) Selected Direct-to-Dat Recordings from Sonic Archives of Artificial Memory Trace...
Keywords: improvisation; free music; space exploration; collaboration
|Signals - Artificial Memory Trace|
Artificial Memory Trace:.: SIGNALS Part 1 _ 5: (collection of submersive 4D_sound-entities in 5.1 surround format exploring Amazon rainforest-broadcast) Note: Here are only 3 stereo tracks from this extensive collection! 1. pt1. SIGNALS (Signals From The Outer Zone Of Human Perception - Movement 1) 22:39 2. pt2. MORPHEME (Signals From The Outer Zone Of Human Perception - Movement 2) 15:15 Sound-installations pt1 + pt2 are using recordings of sounds that exist on the periphery of human perception...
Keywords: musique concrete; field recordings; electroacoustic
|Cyclocean - Artificial Memory Trace|
artificial memory trace: cyclOcean 58:48 composition by slavek kwi, re-re-recycling exclusively from collective sound-bank *, created in july 2002, dublin, ireland. thanksss to all twelvo-participants for letting me explore their 1min sound-worlds. verrry special thanks to paul mcgrath for miraculous recovering of sound-files from my exploded computer, without him cyclOcean would not exist. * 1 min-sounds were provided by: illusion of safety, john duncan, scanner, erik m, akira rabelais, daniel ...
|Evaporation - Artificial Memory Trace|
Artificial Memory Trace: Evaporation (Cube) 1_00:00:00.000 â 00:49:54.000 _ Evaporation 2_00:49:54.000 â 00:50:55.720 _ Pulling the Plug (transition) 3_00:50:55.720 â 01:02:25.427 _ Cube 1: Created in Nov.- Dec.1998, Studios of Radio DR, Copenhagen. Originally produced by Lydmuren (with thanks): Peter Kristiansen and Martin Jakobsen, Denmark. Field recordings: Copenhagen (Denmark), Dobruska (Czechie â Summer 1998 during massive floods and storms)...
Keywords: musique concrete; electroacoustic; radiophonic
|Silesintra Naked - Artificial Memory Trace|
Silesintra Naked 2003 is based on sounds of Singing Trains (sequence originally used as premix in AMT: Psychetals Pt2)
Keywords: musique concrete; electroacoustic
|Spectral Territories Pt1 - Artificial Memory Trace|
Artificial Memory Trace: Spectral Territories Pt1 Soundpostcard from Africa - Kenya and Tanzania, recorded Dec.2000 - Jan.2001 and composed in june 2001 by Slavek Kwi.
Keywords: field-recordings; musique-concrete; sound-art
|Installations - Artificial Memory Trace|
artificial memory trace: installations II. 1. estuary 17:25 (2002) 2. apt.30 28:22 (2004) 3. helen's music box 19:30 (2002) 4. helen's music box [original acoustic seed_seq.] 2:03 5. unspeakable [sample/extract from the sonotop] 12:14 (2005) recorded direct-to-dat from installation-units/audio-kinetic & optosonic objects within acoustic space see details and photos about/from installations on www.artificialmemorytrace.com xtra trks: the source tracks unmodified by acoustic properties of installa...
Keywords: sound installations
|Tanporan - Artificial Memory Trace|
composed in between 2001 – 2005 by slavek kwi in ivy cottage, ireland. Based on tanpura sequence with jiri mazanek [recorded in prague, czechie -1994] and free improvisation with miro (sitar) and jaro (various percussion and noises) [recorded in liege, belgium - 2000] dedicated to my friend mirek :)
|WACTEO - Artificial Memory Trace|
Artificial Memory Trace: WACTEO (We Are Close To Each Other) 42:27 Composed by Slavek Kwi and broadcasted in August 2000, DR Radio 1 - Lydmuren in Copenhagen - Denmark. Dedicated to Peter Kristiansen and Koji Tano. With contribution (with manyMANY THANKsssssss) from: Yasutoshi Yoshida (Government Alpha), Koji Tano (MSBR), Kanako Toya, Kayoko Hosoi, Kay Harada (Japan) Ron Lessard, Michael Northam, Seth Nehil, Josh Russell (USA) Ralf Wehowsky, Felix Knoth (Kubin), Mariolla Brillowska, Ralf Schroet...
Keywords: radiophonic; electroacoustic; voices
|Shramotaka | Opona - Artificial Memory Trace|
7" Record - press by yourself, please! (previously unreleased)
Keywords: experimental; electroacoustic; musiqueconcrete; fieldrecordings; environmental; soundart
|Calliphonies (Skeletunes & Reasonances) - Artificial Memory Trace|
Artificial Memory Trace: Calliphonies (Skeletunes & Reasonances) Site-specific sound-installation designed and created by Slavek Kwi in August - November 1998 in Studio C&C, Antwerp, Belgium. Special thanks to Ward Weis and Paul Coenjaarts for kind support.
Keywords: sound art installation; site-specific installation; electroacoustic
|Interception (missing tracks) - Artificial Memory Trace|
interception I. (additional - missing - tracks) recently re-released by attenuation circuit as 2nd disc within double-album: paradox of paradox | interception 1 - these 3 tracks are not on this release! so, here are 3 short pieces, which were part of 1st edition by planktone in 2004 (track 1 is original Interception 60 min on attenuation circuit release!): 2. amt / teleform [switzerland] - unfinished business 10:53 / 2000-2001 (collaboration track between teleform from zurich and amt based on "p...
Keywords: electroacoustic; musique concrete
|Transitions (as) - Artificial Memory Trace|
artificial memory trace: transitions (as) (2 compositions for radio) trk1: rainktone soundscape of brussels â produced by radio 3 vrt, belgium composed by slavek kwi 1998 (special thanks to ward weis for kind support:) trk 2. transitions as [one hour (as) of frag-mental stream of flash-backs and snap-shots in perpetual transitions, constructed from sound-files created between 1988 â 2003. broadcasted in resonance fm, london, uk...
Keywords: audio-collage; audio-cut-up; electroacoustic; experimental; radio-art; sound-art
|Threshold - Artificial Memory Trace|
Various documents & residues from installation THRESHOLD by Slavek Kwi / Artificial Memory Trace, 2008 - 2010
Keywords: audio-visual installation
|Anomalee - Artificial Memory Trace|
artificial memory trace presents: anomalee (anomalies_composed & not-so-composed instrumental music) 1. cuneiform 17:18 2. a while before ringing of alarm clock 15:50 3. touch of mirror is silence 6:28 4. musique pour coleopteres 14:11 5. bubbling spiral 2:48 6. free thought for bowed antiguitar 16:31 7. index 3:38 1.clarinet,organ & tapes.composed: skwi 1991; rec.& performed in june 1991 conservatoire royal de musique in liege,belgium clarinet: vincent jacqmain organ: genevieve foccroulle 2 + 4...
Keywords: composed music; improvised music; noise
|Tentacles of Perception - Artificial Memory Trace|
Tentacles of Perception Recordings is label and net_label of Artificial Memory Trace. During 1st stage net_label was focused on re-issuing some works of AMT originally released as very little editions as CDr by Planktone Unlimited and Psyclone Recordings, previously unreleased works and other AMT-related odd (or not-odd)works. TOPR net-label contains now 34 albums/titles/collections. For details about AMT works and available physical releases you can visit www.artificialmemorytrace.com
|Compilations - Artificial Memory Trace|
AMT COMPILATION TRACKS (SELECTED): 01. Asymfon (1996) RRRecords [USA] - TESTAMENT 02. Audio-Article in connection with 2 PLACES exhibition (2008) [Ireland] 03. Awron Pt1 + 2 (1996) Selektion [Germany]- TULPAS (based on the music of RLW) 04. Chrozoom (1998) Alien8 [Canada] - COALESCENCE 05. Klanken (2000) Bake Records [Holland] - FIELD RECORDINGS & MANIPULATIONS (micro-report from festival Klanken Verbeeld Beelden Verklankt in Eijsden, Holland, Sept...
Keywords: electroacoustic; musique concrete
|Vibramash - Artificial Memory Trace|
Artificial Memory Trace Vol 3: Vibramash Jelly-sonic environments designed by Slavek Kwi, 1993 in Belgium. Note: Track 1 includes 1 synth. Waldorf sample repeated multiple times by Mathias Janssens. Track 5 is based on free-improvisation session played by Peter Jacquemyn (double bass), Suk (electric guitar) and Slavek Kwi (electric tritar)
Keywords: electroacoustic; musique concrete
|Alea Iacta Est - Artificial Memory Trace|
artificial memory trace vol. 1: alea iacta est (fuit illegal) 26:56 tape-composition created in june 1992 in studio of musiques & recherches, ohain, belgium by slavek kwi and mathias janssens. special thanks to annette vande gorne for kind support. field recordings were recorded in underwater tunnel sint ann, antwerp, belgium - you can hear interaction between marion delforge (=transonik figura: voice, tubular bell), slavek kwi (ocarina, tenor-flute, wooden percussion), by-passing people and env...
Keywords: experimental; musiqueconcrete; electroacoustic
|Tactilum - Artificial Memory Trace|
Artificial Memory Trace: TACTILUM 51:31 Tactilum has been conceived as aural and physical sound stimulus destined for children with hearing lose combined with autism and learning disabilities. Installation was developed in the project Mus-e (Yehudi Menuhin Foundation) and placed in school La Chanterelle in Brussels, Belgium. Composed, designed and recorded by Slavek Kwi, April - May 2000. Recorded direct-to-mic from installation unit (btw, during recording i fell sleep and i was slightly snoring...
Keywords: sound art; installation; electroacoustic